Southerly Winds Farm

Dedicated to the Passionate Pursuit of Perfection in Dressage

Frequently Asked Questions

Q: [What is dressage]

A:  Classical dressage evolved from calvary movements and training for the battlefield, and has since developed into the competitive dressage seen today. Classical riding is the art of riding in harmony with, rather than against, the horse.  Correct classical riding only occurs when the rider has a good seat and a correct and well-balanced body position, moves with the horse's motion, and gives and times the aids correctly.

The origins of classical dressage and collection lie in the natural ability of the horse and its movements in the wild. In fact, most modern definitions of dressage state that the goal is to have the horse perform under saddle with the degree of athleticism and grace that it naturally shows when free.

Horses naturally use the concept of collection when playing, fighting, competing and courting with each other. When trying to impress other horses they make themselves look bigger, just as other animals do. They achieve this by pumping up the chest, raising the neck and making it bigger by flexing the poll, while at the same time transforming their gaits to emphasize more upwards movement. When fighting, the horse will collect because in collection he can produce lightning speed reactions for kicking, rearing, spinning, striking with the front feet, bucking and jumping.

This natural ability to collect is visible in every horse of any breed, and probably inspired early trainers to reproduce that kind of behavior in more controlled circumstances. This origin also points out why, according to most Classical dressage trainers, every healthy horse, regardless its breed, can perform classical dressage movements, including the Haute Ecole jumps, or Airs above the ground, even though it may perform them a little differently from the ideal performance due to the build of its body.

The earliest surviving work on many of the principles of classical dressage was Xenophon's On Horsemanship Xenephon emphasized training the horse through kindness and reward.

In the 15th century, brute force training largely came to an end while artistry in riding was once again coming into its own. Along with these developments came indoor riding. The Renaissance gave rise to a new and enlightened approach to riding as a part of the general cultivation of the arts. By the Victorian age indoor riding had become a sophisticated art, with both rider and horse spending many years perfecting their form.

The horses were trained for a number of airs or schools, above the ground movements that enabled their riders to escape if surrounded, or to fight more easily. These included movements such as levade, capriole, courbette, ballotade. Movements still seen today in dressage include the piaffe, passage and half-pass

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